|
ID |
Image |
Painting(From A to Z) |
Details |
|
62397 |
|
Adoration of the Magi |
1440-41 Fresco Convento di San Marco, Florence Benozzo Gozzoli was a student of Fra Angelico who had a formative influence on him. He collaborated in the pictorial decoration of the dormitory cells in the Florentine Dominican monastery of San Marco, which took place from 1438 to 1444/45. There Fra Angelico and his assistants were painting a small devotional fresco in each cell, while Cosimo de' Medici's double cell (cell 38/39) was furnished with a larger wall painting, the Adoration of the Magi (cell 39) and a Crucifixion with Saints Cosmas, Damian, John and Peter (cell 38, the vestibule). The complete integration of the youthful Benozzo's artistic style with that of Fra Angelico has meant that it is only in recent times that it has been possible to identify with a fair degree of accuracy a variety of interventions by his hand, which were first limited to isolated figures or group of figures. Later he had more responsibility and scholars now agree that he was almost exclusively responsible for the decoration of Cosimo de' Medici's cells. Gozzoli's decisive part in the production of the Adoration of the Magi can be recognised stylistically by the fact that, compared t the works of his teacher, the colours are softer, the plasticity of forms is reduced in favour of sharper contours, and the landscape in the background acts as a backdrop. Here the religious theme of the Epiphany is set in a bleak rocky landscape which rises up behind the Three Kings' retinue. This corresponds to the religious mood of Fra Angelico's pictures and does justice to the fresco's function as a devotional picture |
|
1894 |
|
Angels Worshipping |
1459
Palazzo Medici Riccardi, Florence |
|
1895 |
|
Angels Worshipping 22 |
|
|
26710 |
|
Detail from The Procession of the Magi |
mk52
|
|
1896 |
|
Establishment of the Manger at Greccio |
1452
San Francesco, Montefalco |
|
30422 |
|
Interior of Medici Family |
mk68
Fresco,marble,and porphyry
Florence,Medici palace
c.1459
ltaly
|
|
55949 |
|
Journey of the Magi to Bethlehem |
mk247
C.1460,fresco(detail),chapel of the palazzo medici-riccardi,florence,ltaly |
|
29148 |
|
Madonna and Child |
mk65
ca.1447
Tempera on panel
35x16 1/2"
|
|
1891 |
|
Madonna and Child 44 |
1460
Detroit Institute of Arts |
|
1900 |
|
Madonna and Child with Angel Playing Music |
1450
San Francesco, Montefalco |
|
41995 |
|
Madonna della Cintola |
mk166
1450-1452
Tempera on wood Museum of the Vatican one Rome |
|
30421 |
|
Procession of the Magi |
mk68
Fresco
Florence
Medici Palace
Medici Family Private Chapel
c.1459
ltaly
|
|
33362 |
|
Procession of the Magi |
mk86
1459-1461
|
|
33386 |
|
Procession of the Magi |
mk86
1459-1461
Fresco,Wall width c.750cm
Florence,Palazzo Medici-Riccardi
|
|
53411 |
|
Procession of the Magi |
mk231
1459
Oil on canvas
|
|
21192 |
|
Procession of the Magi (mk08) |
1459-1461
Florence,Palazzo Medici-Riccardi
Four members of the Medici family can be identified amongst the riders;
Cosimo the Elder and ,to the right ,his sons Giovanni and Piero di Cosimo,together with Cosimo's illegitimate son Carlo
|
|
21216 |
|
Procession of the Magi (mk08) |
1459-1461
Fresco wall width
c.750cm
Florence,Palazzo Medici-Riccardi |
|
1893 |
|
Procession of the Magus Gaspar |
1459
Palazzo Medici Riccardi, Florence
|
|
1892 |
|
Procession of the Magus Melchoir |
1459
Palazzo Medici Riccardi, Florence |
|
62401 |
|
Procession of the Middle King |
1459-60 Fresco Chapel, Palazzo Medici-Riccardi, Florence The middle king is represented with the features of Emperor John VII Paleologus. For this representation Benozzo based his work on a medallion designed by Pisanello in 1438. However, he made the face younger and replace the traditional and unwieldy Byzantine tiara with a crown resting on a peacock-plumed velvet cap. Author: GOZZOLI, Benozzo Title: Procession of the Middle King (detail) , 1451-1500 , Italian Form: painting , religious |
|
53416 |
|
Scenes From the Life of St.Augustine |
mk231
Oil on canvas
|
|
1898 |
|
St.Francis Giving Away his Clothes and the Vision of the Church Militant and Triumphant |
1452
San Francesco, Montefalco |
|
1899 |
|
The Birth of St.Francis and Homage of the Simple Man |
1452
San Francesco, Montefalco |
|
1890 |
|
The Dance of Salome |
1461
National Gallery of Art, Washington DC |
|
1889 |
|
The Fall of Simon Magus |
1461
Royal Collection, Hampton Court, London |
|
23307 |
|
The Journey of the Magi (nn03) |
1459 Fresco Palazzo Medici-Riccardi Florence |
|
1897 |
|
The Meeting of Saint Francis and Saint Domenic |
1452
San Francesco, Montefalco |
|
26709 |
|
The Procession of the Magi |
mk52
1459
Fresco
Palazzo Medici-Riccardi,Florence
|
|
40207 |
|
The Procession of the Magi,Procession of the Youngest King |
mk156
1459-63
Fresco
Palazzo Medici Riccardi
|
|
33283 |
|
The School in Tagaste |
mk83
1464-1465
Fresco
|
|
1888 |
|
The School of Tagaste |
1464
Sant'Agostino, San Gimignano |
|
45815 |
|
The train of the holy three Konige |
mk178
Galeazzo Maria Sforza, duke of Milan very to the left on a brown and Sigismondo Pandolfo Malatesta, ruler of Rimini, in addition on a Schimmei UM1460 fresco |
|
19989 |
|
The Triumph of st Thomas Aquinas (mk05) |
Wood 90 1/2 x 40 1/4''(230 x 102 cm)From the cathedral at Pisa entered the Louvre in 1813 |
|
42859 |
|
The Virgin and Child Enthroned among Angels and Saints |
mk170
1461-1462
Tempera on wood
161.9x170.2cm
|
|
90223 |
|
Triumph des Hl. Thomas von Aquin uber Averroes |
1468-1484
Medium oil on panel
Dimensions Deutsch: 227 x 102 cm
cjr |
